- PIZZA RESTAURANTS AND LAUREL AND HARDY MOVIES FULL
- PIZZA RESTAURANTS AND LAUREL AND HARDY MOVIES SERIES
Mirsalis discovered a 16mm workprint copy of The Battle’s second reel - the one containing the pie fight in its entirety - in a massive collection he purchased around the turn of the 21st century. Then, a stroke of luck: Film collector Jon C. Up until a few years ago, only three minutes of this short remained - three minutes of the zaniest pie fight ever captured on camera (an estimated 3,000 pies were tossed.) New York’s Museum of Modern Art discovered a copy of the film’s first reel in their archives in 1970, but not the pie fight. Particularly The Battle of the Century, the Holy Grail of lost silent comedy. Both are well versed in these films, their production schedules, and the various tweaks the scripts underwent.ĭon’t give a lick about production? No worries, the movies are funny enough. The interviews come courtesy Randy Skretvedt (a die-hard if there ever was one), who filmed them with Laurel & Hardy coworkers in the early 1980s, and the commentaries are from Skredtvedt and Richard W. It’s also an excellent resource for historians of comic cinema.
PIZZA RESTAURANTS AND LAUREL AND HARDY MOVIES FULL
For the newly inducted, it’s a full day of cinematic comedy that is just as funny now as it was then. For Laurel & Hardy enthusiasts, it’s manna from the Blu-ray gods. It’s a hefty set: four discs, two features, 17 shorts and over eight hours of interviews, commentaries and still galleries to peruse. That’s all starting to change, and the newly minted Laurel & Hardy: The Definitive Restorations from Kit Parker Films have the boys sparkling like never before. Availability is a key, as is quality, and Laurel & Hardy’s impressive library of shorts and features has intermittently been lost, found, restored, repeat over the past seven-plus decades. Some movies gain in popularity while others diminish. The rest, as they say, is history.īut history has a habit of eroding over the years.
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PIZZA RESTAURANTS AND LAUREL AND HARDY MOVIES SERIES
Their chemistry was undeniable, and a year later, Hal Roach launched a whole series of Laurel & Hardy shorts. When Hardy returned, he joined Laurel on-screen, and sparks flew.
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But when Hardy injured himself and had to sit out production on 1926’s Get ‘Em Young, Laurel stepped in front of the camera to fill in. Laurel was hired to write and direct, Hardy was hired to act. The two found their way to Hollywood, and then to Hal Roach Studios. It wasn’t much, but it was enough to give Hardy the bug. Laurel came of a theatrical family, first stepping on to the stage at the age of 16, while Hardy tentatively studied law until he helped open a small theater in 1910.
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Both born at the end of the 19th century, Arthur Stanley Jefferson (Stan Laurel) and Oliver Norvell Hardy (“Babe” to friends and family), found their way to the silver screen by different means.